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Tommie Liddell


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12 hours ago, thetorch said:

@ThomasCrone what a great story.  I also loved your article on the Lewis and Clark towers recently.

As a North County boy growing up, that tower and the restaurant at the top seemed a symbol of wealth beyond my family's means. Really sad to drive by it now.  Again terrific story.

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8 hours ago, ThomasCrone said:

For all those offering some, thanks for the kind words. Looks like I'll be discussing this story on 590 The Fan tomorrow at 11:30, with host Martin Kilcoyne.

https://590thefan.com

Thomas

I don’t know if you can/will answer this, but how did you decide to write about Tommie? Awsome you did. Just curious how a story like this goes from idea to paper.

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2 hours ago, RiseAndGrind said:

I don’t know if you can/will answer this, but how did you decide to write about Tommie? Awsome you did. Just curious how a story like this goes from idea to paper.

Hello. Let me take a stab at an answer here. When Tommie was a freshman, I wrote a story about him for St. Louis Magazine. This was in 2005 and I actually quoted from that piece in the current one, specifically the bit about Hargrave. It was probably the single, most-frustrating story I've ever worked on, and only about a third of the piece is actually mine; the rest was rewritten, including interviews I didn't conduct. In some respects, I always wanted a "do-over" on that piece and it gnawed on me for about a decade. ("Problems letting go of something?" "Yeah, maybe.") Anyway...

About two years ago, I'd heard that Tommie and some friends/MC's were cutting tracks at Jupiter Studios, just around the corner from the Field House on Locust. I thought it would make for an interesting story, to talk about a former basketball star at the school now recording music just a few blocks away from his old arena. At the time, he was more-removed from the program than he is today, obviously. I was greenlit for the piece, but the few times we got together, Tommie didn't seem especially into it. He moved. There was a phone number change. FB messages went nowhere. Not completing the assigned piece landed me in my editor's doghouse for a bit (she's generally super-supportive, but I didn't deliver a finished draft, so... my bad) and I always had this sense that it was an potentially-interesting story. And, as a freelancer, these were sunk costs, in terms of time and energy, too. So, moving ahead to 2018... 

I'd heard that Tommie was about to take classes again. So I approached my editor and asked about a restart on the piece, which would now be a different, and likely better, article. She okayed it, with the caveat that I had to have a sit-down with him before she'd put it on the editorial calendar. Janet Oberle arranged for me to meet with Tommie at a restaurant near SLU, after he finished some paperwork on campus that afternoon. We spoke and he seemed a really different person, somehow. More engaged and seemingly down for the piece, which he hadn't been 100% into before. With that meeting in-hand, I got the okay and went to work. From that pizza meeting to the piece running, about five weeks passed. It came together pretty quickly, but I'd actually had the roots of the piece growing for years. And that's the story behind the story. 

Sorry to ramble, but I'm a rambler.

Thomas

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29 minutes ago, ThomasCrone said:

Hello. Let me take a stab at an answer here. When Tommie was a freshman, I wrote a story about him for St. Louis Magazine. This was in 2005 and I actually quoted from that piece in the current one, specifically the bit about Hargrave. It was probably the single, most-frustrating story I've ever worked on, and only about a third of the piece is actually mine; the rest was rewritten, including interviews I didn't conduct. In some respects, I always wanted a "do-over" on that piece and it gnawed on me for about a decade. ("Problems letting go of something?" "Yeah, maybe.") Anyway...

About two years ago, I'd heard that Tommie and some friends/MC's were cutting tracks at Jupiter Studios, just around the corner from the Field House on Locust. I thought it would make for an interesting story, to talk about a former basketball star at the school now recording music just a few blocks away from his old arena. At the time, he was more-removed from the program than he is today, obviously. I was greenlit for the piece, but the few times we got together, Tommie didn't seem especially into it. He moved. There was a phone number change. FB messages went nowhere. Not completing the assigned piece landed me in my editor's doghouse for a bit (she's generally super-supportive, but I didn't deliver a finished draft, so... my bad) and I always had this sense that it was an potentially-interesting story. And, as a freelancer, these were sunk costs, in terms of time and energy, too. So, moving ahead to 2018... 

I'd heard that Tommie was about to take classes again. So I approached my editor and asked about a restart on the piece, which would now be a different, and likely better, article. She okayed it, with the caveat that I had to have a sit-down with him before she'd put it on the editorial calendar. Janet Oberle arranged for me to meet with Tommie at a restaurant near SLU, after he finished some paperwork on campus that afternoon. We spoke and he seemed a really different person, somehow. More engaged and seemingly down for the piece, which he hadn't been 100% into before. With that meeting in-hand, I got the okay and went to work. From that pizza meeting to the piece running, about five weeks passed. It came together pretty quickly, but I'd actually had the roots of the piece growing for years. And that's the story behind the story. 

Sorry to ramble, but I'm a rambler.

Thomas

Glad I asked. Thanks for sharing. 

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20 minutes ago, TFord and TRavs said:

I’ll take the hit for this but no relation to ej Liddel right?

they are cousins

TFord and TRavs likes this
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